The Coode Street Podcast

Episode 633: A classic ramble

In a return to classic rambling form, Jonathan and Gary begin thinking about the waning months of the year, and the inevitable recommended reading discussions.

Jonathan starts off by asking why we always seem to say it was a surprisingly good year for collections, when just about every year is a good year for collections. We also touch upon anthologies, such as Jared Shunn’s massive The Big Book of Cyberpunk, and what implicit arguments are being made by such broadly inclusive anthologies.

We also touch upon Jonathan’s brand-new The Book of Witches, the question of whether SFF is starting to mature enough that broadly diverse voices are viewed as simply part of the mainstream of the field, and some of the books we’ve been reading or anticipating, including Elizabeth Hand’s A Haunting on the Hill and Aliz E. Harrow’s Starling House (both will be guests on a future podcast), Tobias S. Buckell’s A Stranger in the Citadel, Nicola Griffith’s Menewood (and how historical fiction relates to SFF),The Best of Michael Swanwick, and Christopher Barzak’s Monstrous Alterations.

Episode 632: Wole Talabi and Shagidi and the Brass Head of Obalufon

This week Hugo and Nebula nominee Wole Talabi joins Jonathan and Gary for a wide-ranging discussion celebrating the publication of his wonderful first novel Shigidi and the Brass Head of Obalufon and his Hugo Award-nominated novelette, "A Dream of Electric Mothers".

We discuss the recent worldwide recognition of African SFF, his use of Yoruba religion and mythology in his novel, the importance of movies (especially heist movies)to his work, the nature of Africanfuturism, his attraction to SF as a professional engineer, and his future plans—including a new volume of short fiction due next spring.

Episode 631: Awards, debut novels, and science fiction at the moment

After Gary enjoyed a weekend at Readercon, we’re back with another one-on-one ramble that covers topics from the proliferation of SF awards (and what they really might be for), to some recent and forthcoming books we’re excited about (including Kemi Ashing-Giwa's The Splinter in the Sky, Vajra Chandrasekera's The Saint of Bright Doors, Wole Talabi’s Shigidi and the Brass Head of Obalufon, and Emily Tesh's Some Desperate Glory), the question of whether anthologies might rightly or wrongly be seen as definitive, and the importance of supporting short fiction publications given some major changes facing the field in 2023.

As always, we hope you enjoy the podcast.

Episode 630: Kij Johnson and the Nature of Story

After an unplanned hiatus, we’re back with the wonderful Kij Johnson, who will be a guest of honour at this year’s World Fantasy Convention in Kansas City this coming October. Small Beer will publish a new collection of Kij's work, The Privilege of the Happy Ending, to coincide with the convention.

We discuss the challenges and opportunities of teaching fiction writing in workshops versus university creative writing programs, how the workshop and the reading group have become so important to new writers since the early days of Kate Wilhelm and Damon Knight’s Milford, the different problems of writing short stories, novellas, or novels, the balance between estrangement and immersion in stories, and Kij’s own current and recent work, which ranges from experimental fiction to stories that revisit older writers like Lovecraft and Kenneth Grahame.

As always, Kij is bristling with good ideas, and we could easily have gone on for another hour.

Episode 629: Ursula Vernon and A Story with Good Bones

In this episode, Jonathan and Gary have a long overdue extended discussion with the wonderful Ursula Vernon (aka T. Kingfisher), whose excellent horror novel A House With Good Bones appeared in late March, and whose thoroughly original imagining of the Sleeping Beauty story Thornhedge, is forthcoming in August.

We also touch upon some of her best-known works like Nettle and Bone and A Wizard’s Guide to Defensive Baking, what she read while growing up, her career from webcomic artist to children’s author to fantasy and horror novelist, the role of humour in horror, and why even stories involving murder priests, child abductions, and gruesomely reanimated corpses are actually sweet romances.

As always, we would like to thank Ursula for making the time to talk to us, and we hope you enjoy the episode.

Episode 628: Sarah Pinsker and Lost Places

Returning after a brief hiatus, Coode Street welcomes the wonderful multiple award-winning Sarah Pinsker, whose new collection Lost Places has just been published by Small Beer Press, and includes the Hugo, Nebula, and Locus Award-winning “Where Oaken Hearts do Gather.”

We touch upon her career as both story writer and novelist, the relationship of her music performances to her fiction, the balance between teaching and writing, the challenges for new authors entering the field, and of course the stories in her new book.

Episode 627:Kelly Link for the love of a good book

This week, Jonathan and Gary talk with Kelly Link, whose new collection White Cat, Black Dog is already showing up on bestseller lists. It's her first themed collection, with each of the seven stories linked to a particular fairy tale.

We also touch upon several writers whose work has been important to Kelly, including Joanna Russ, Peter Straub, M.R, James, Fritz Leiber, Nicola Griffith, and Shirley Jackson, and even chat a bit about being an author who’s also a publisher (with Small Beer Press) and bookseller (with Book Moon), both co-owned and managed with Gavin J. Grant.

We also discuss a few other things, including her highly anticipated forthcoming novel, The Book of Love.

Episode 626: Awards season, British criticism and more

It’s awards season again (or maybe still), so Jonathan and Gary take a moment to remind everyone of the deadlines for nominating candidates for Hugo, Locus, World Fantasy, and Nebula Awards, and to discuss briefly a proposal to add a one-time category of “Best Fantasy Novel” to the Hugos at the 2024 Glasgow Worldcon.

They also chat a bit about the Best Related Work Hugo, and whether or not certain categories might be eliminated. First, however, they touch upon whether the central concerns of mainstream SF were laid down in the interwar era, as Paul Kincaid argues in a new essay. And then Niall Harrison's new collection, All These Worlds: Reviews and Essays.  Finally, we touch upon the question of how important opening paragraphs and titles are when it comes to drawing a reader into a work of fiction.